2023
Degradation
for string quartet and live electronics
(c. 12'30'')
Performances:
Castalian Quartet - March 2023 at the Faculty of Music, Oxford
2021-22
Antecedent
for solo piano
(c. 26')
Recording:
Produced by Matt Collins and Harris Ferguson
Performed by David Palmer
2020
Kopf
for ensemble
(c. 8')
Performances:
Ensemble ISIS - December 2020 at the Faculty of Music, Oxford
CHROMA - October 2020 at the Jacqueline du Pré Building, Oxford
2019
Fog
for trombone and electronics
(c. 5'30'')
Performances:
Sebastiaan Kemner - May 2019 at Modern Art Oxford as part of EMPRES: Art of Noises III
Unmeasured
for large ensemble and live electronics
(Variable - c. 4'-6')
Performances:
Ensemble ISIS - January 2019 at the Faculty of Music, Oxford
2018
Disenchantment
for mezzo-soprano, piano and optional live electronics, with text by Eleanor Brooks
(4'30'')
Performances:
Clare McCaldin and Libby Burgess - October 2018 at The Shulman Auditorium, The Queen's College, Oxford
Clockwork
for violin, vibraphone and live electronics
(7'40'')
Performances:
Maz Sutton and Max Rodney - February 2019 at the Jacqueline du Pré Building, Oxford
Nuance
for ondes Martenot and live electronics
(6')
Performances:
Nadia Ratsimandresy - November 2019 at Huddersfield Contemporary Music FestivaI
2017
Machine
for string quartet
(8')
Performances:
Brother Tree - December 2017 at St Ethelburga's Centre, London
Manon Quartet - June 2017 at Brunel University London
Recording:
Produced by John Croft and directed by Christopher Fox
Performed by Manon Quartet
Resonance
for harpsichord and live electronics
(5'50'')
Recording:
Produced by Matt Collins
Performed by Reuben Kyriakides
Flat
for piccolo and bass guitar
(8'25'')
June
for soprano saxophone, alto saxophone and Moog Sub 37 synthesiser
(5'50'')
Performances:
Bex Lycett, Katie Bunney and Matt Collins - March 2023 at the Royal College of Music
Christopher Hill, Katie Bunney and Matt Collins - November 2018 at Modern Art Oxford as part of EMPRES: Art of Noises II
Recording:
Produced by Matt Collins
Performed by Emma Pain, Chloe Hardaker and Matt Collins
Machine
for flute, Theremin, solo male voice and Nord synthesiser
(7')
Recording:
Produced by Matt Collins
Performed by Wil Pritchard, Tanisha Hough and Matt Collins
Pressure
for chamber orchestra
(4'20'')
Record
for small ensemble
(5'15'')
Performances:
Apartment House - February 2017 at Brunel University London
Afterwards
for two female voices and piano, with lyrics by Lia Harlin
(approx. 4')
Performances:
Lia Harlin, Katie Pantry and Emily-Keziah Green - May 2017 at Brunel University London
Afterwards (Reprise)
for two female voices and piano, with lyrics by Lia Harlin
(approx. 4')
Performances:
Lia Harlin, Katie Pantry and Emily-Keziah Green - May 2017 at Brunel University London, with additional composing and arranging by Emily-Keziah Green
2016
Fours
for flute, percussion and piano
(3'10'')
Performances:
Georgia Cooke, Martin Pyne and Sally Goodworth - April 2016 at Brunel University London
Sharp
for solo flute
(3'35'')
Performances:
Berglind Tómasdóttir - March 2017 at Brunel University London
AutoCounterpoint
for solo performer using Juno 106 synthesiser and Max/MSP
(approx. 8')
Performances:
Matt Collins - April 2016 at Brunel University London
2015
Five Short Pieces for Piano
for solo piano
(5'20'')
Performances:
Sally Goodworth - March 2017 at Brunel University London