Degradation
for string quartet and live electronics (2023)
(c. 12'30'')
Performances:
Castalian Quartet – March 2023 at the Faculty of Music, Oxford
Antecedent
for solo piano (2020-21)
(c. 26')
Recording (August 2021):
Produced by Matt Collins and Harris Ferguson
Performed by David Palmer
Kopf
for ensemble (2020)
(c. 9')
Performances:
Ensemble ISIS – December 2020 at the Faculty of Music, Oxford
CHROMA – October 2020 at the Jacqueline du Pré Building, Oxford
Fog
for trombone and electronics (2019)
(c. 6')
Performances:
Sebastiaan Kemner – May 2019 at Modern Art Oxford as part of EMPRES: Art of Noises III
Unmeasured
for large ensemble and live electronics (2019)
(Variable - c. 4'-6')
Performances:
Ensemble ISIS – January 2019 at the Faculty of Music, Oxford
Disenchantment
for mezzo-soprano, piano and optional live electronics, with text by Eleanor Brooks (2018)
(c. 4'30'')
Performances:
Clare McCaldin and Libby Burgess – October 2018 at The Shulman Auditorium, The Queen's College, Oxford
Clockwork
for violin, vibraphone, and live electronics (2018)
(c. 8')
Performances:
Maz Sutton and Max Rodney – February 2019 at the Jacqueline du Pré Building, Oxford
Nuance
for ondes Martenot and live electronics (2018)
(c. 6')
Performances:
Nadia Ratsimandresy – November 2019 at Huddersfield Contemporary Music FestivaI
Machine
for string quartet (2017)
(7')
Performances:
Brother Tree – December 2017 at St Ethelburga's Centre, London
Recording (June 2017):
Produced by John Croft and directed by Christopher Fox
Performed by Manon Quartet
Resonance
for harpsichord and live electronics (2017)
(c. 6')
Recording (May 2017):
Produced by Matt Collins
Performed by Reuben Kyriakides
June
for soprano saxophone, alto saxophone, and Moog Sub 37 synthesiser (2017)
(c. 6')
Performances:
Bex Lycett, Katie Bunney, and Matt Collins – March 2023 at the Royal College of Music
Christopher Hill, Katie Bunney, and Matt Collins – November 2018 at Modern Art Oxford as part of EMPRES: Art of Noises II
Recording (May 2017):
Produced by Matt Collins
Performed by Emma Pain, Chloe Hardaker, and Matt Collins
Machine
for flute, Theremin, solo male voice, and Nord synthesiser (2017)
(7')
Recording (May 2017):
Produced by Matt Collins
Performed by Wil Pritchard, Tanisha Hough, and Matt Collins
Crossjam (with Dan Christovic)
from the album E x 1 . (2017)
(3'45'')
Dan Christovic: Guitars, bass, drum sequencing, production, arrangement, concept, album art, mixing and mastering
Matt Collins: Synthesiser and arrangement
Record
for small ensemble (2016)
(c. 5'30'')
Performances:
Apartment House – February 2017 at Brunel University London
Sharp
for solo flute (2016)
(c. 3'30'')
Performances:
Berglind Tómasdóttir – March 2017 at Brunel University London
Evolute
Electroacoustic composition (2016)
(3'59'')